Magnum contact sheets pdf1/27/2023 ![]() ![]() These projects cast a wider net in terms of the kind of materials one can consider when looking at photographs, and Thames & Hudson thought I’d be a good fit in terms of my approach and interest in working process. Also my earlier book Amelia Earhart: Image and Icon focused on the process of editing and circulation of images I was also at the same time engaged in working with the recently recovered negatives in the Mexican Suitcase. They came to me because I had recently completed a book with Susan Meiselas ( In History), which had been very heavily archival based. Thames & Hudson and Magnum approached me as editor and curator of the project, which they had conceived together. Kristen Lubben: The idea of archives was on everyone’s mind, partly as a result of the New York Magnum office having just sent their “working prints” archive to the Harry Ransom Center at the University of Texas. Russet Lederman: How did the idea for the Magnum Contact Sheets book develop? ![]() International Center of Photography Curator Kristen Lubben discusses her recent book and exhibition Magnum Contact Sheets. ![]()
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